| [The Rhapsodic Ballad creates] a gnarly interior dialogue, which Handy grapples with head-on, clearly laying out its dramatic profile. | ||
| —Edward Bhesania, The Strad (September 2013) |
Click the quotation text to discover what it refers to!
| [The Rhapsodic Ballad creates] a gnarly interior dialogue, which Handy grapples with head-on, clearly laying out its dramatic profile. | ||
| —Edward Bhesania, The Strad (September 2013) |
Click the quotation text to discover what it refers to!
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| The editions are attractively presented […] The layout of each piece is very clear both in print quality and the spacing between staves. […] The arrangements have been devised carefully in order to make them approachable for competent pianists. | ||
| —Jonathan Carne, Peter Warlock Society News (#206 Spring 2020 42–3) |
| Even without the words Warlock’s songs convey a musical logic which can speak for itself. | ||
| —Jonathan Carne, Peter Warlock Society News (#206 Spring 2020 42–3) |
| The piano arrangements of Sleep and the other songs in these volumes are able to work rather well as solo pieces by virtue of their harmonic strength coupled to purposeful, often dance-like rhythms and varied textures. | ||
| —Jonathan Carne, Peter Warlock Society News (#206 Spring 2020 42–3) |
| I will enjoy returning to these volumes and will keep them in my music case. | ||
| —Jonathan Carne, Peter Warlock Society News (#206 Spring 2020 42–3) |