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| …the music is, as always with Blyton, an attractive mixture of brevity and immediacy of appeal… | ||
| —Musical Opinion |
| Composer | Title | Performer(s) | Total duration | |||||
|---|---|---|---|---|---|---|---|---|
| Various | Carey Blyton – Sherlock Holmes meets Doctor Who Music for brass and saxophone featuring the Fine Arts Brass Ensemble and the Phoenix Saxophone Quartet with Jennifer Partridge, piano | James Rae, Alto saxophone, James Rae, Tenor saxophone, Angela Whelan, Trumpet, Stephen Roberts, French horn, Jennifer Partridge, Piano, Phoenix Saxophone Quartet, Fine Arts Brass Ensemble | 01:01:21 | |||||
| # | Composers | Grouping | Work | Movement | Performer(s) | Duration | ||
| 1 | Carey Blyton | Works for Brass Quintet | A Sherlock Holmes Suite | I: March: The Game’s Afoot! | Fine Arts Brass Ensemble | 00:00:48 | ||
| 2 | II: Baker Street Conversation (Dr Watson and Mrs Hudson) | 00:02:24 | ||||||
| 3 | III: Porky Johnson and the Baker Street Irregulars | 00:01:01 | ||||||
| 4 | IV: Scenes from Holmes’ London (an Opium Den in Limehouse and a German Street Band) | 00:02:17 | ||||||
| 5 | V: Professional Colleagues (Leverton of Pinkerton’s Detective Agency, USA and Inspectors Gregson, Lestrade and Athelney Jones of Scotland Yard) | 00:02:25 | ||||||
| 6 | VI: Professor Moriarty – “The Napoleon of Crime” (Hansom Cab Chase) | 00:01:09 | ||||||
| 7 | VII: Finale: Victoria Triumphans! | 00:01:17 | ||||||
| 8 | Pasticheries | I: The Return of Bulgy Gogo – ragtime (tribute to Peter Warlock) | 00:01:24 | |||||
| 9 | II: The Velvet Gentleman – à la brossienne (tribute to Erik Satie) | 00:02:22 | ||||||
| 10 | III: Up the Faringdon Road! – valse brilliantine (tribute to Lord Berners) | 00:02:09 | ||||||
| 11 | Sweet & Sour Rag | 00:03:48 | ||||||
| 12 | Hark! The Merry Gentlemen | 00:03:13 | ||||||
| 13 | Emil Waldteufel arr. Carey Blyton | Eilgut-Galopp (La Grande Vitesse) | 00:02:29 | |||||
| 14 | Carey Blyton | Doctor Who Music | Silurian Suite | I: In the Caves | Angela Whelan, Trumpet, Jennifer Partridge, Piano | 00:02:05 | ||
| 15 | II: A Close Encounter | 00:01:13 | ||||||
| 16 | III: March: The Brigadier | 00:02:08 | ||||||
| 17 | Vogan Suite | I: Deep Space | Stephen Roberts, French horn, Jennifer Partridge, Piano | 00:01:32 | ||||
| 18 | II: Vogan March | 00:01:53 | ||||||
| 19 | III: “All’s well … that ends well!” | 00:01:00 | ||||||
| 20 | Dalek Suite | I: A Desolate Landscape | Phoenix Saxophone Quartet | 00:01:43 | ||||
| 21 | II: Chants & Variants | 00:04:07 | ||||||
| 22 | III: Dalek ‘March’ & Retreat | 00:01:35 | ||||||
| 23 | Works for Solo Saxophone & Piano | Six Epigrams | I: Idyll | James Rae, Alto saxophone, Jennifer Partridge, Piano | 00:01:32 | |||
| 24 | II: March | 00:00:56 | ||||||
| 25 | III: Blues | 00:01:34 | ||||||
| 26 | IV: Scherzo | 00:00:55 | ||||||
| 27 | V: Homage to Czerny | 00:01:26 | ||||||
| 28 | VI: Echoes | 00:01:02 | ||||||
| 29 | In Memoriam Scott Fitzgerald | 00:02:29 | ||||||
| 30 | Mock Joplin | James Rae, Tenor saxophone, Jennifer Partridge, Piano | 00:02:14 | |||||
| 31 | Saxe Blue | 00:03:07 | ||||||
| 32 | Saxophone Quartet | Cinque Port | II: Captain Bowsprit’s Blues | Phoenix Saxophone Quartet | 00:02:21 | |||
Catalogue code: URCD148 • Published: 1998
Entry last updated: 26th April 2014