| The style is accessible, often tonally based, but never clichéd. | ||
| —Murray McLachlan, International Piano (September/October 2010 p72) |
Click the quotation text to discover what it refers to!
| The style is accessible, often tonally based, but never clichéd. | ||
| —Murray McLachlan, International Piano (September/October 2010 p72) |
Click the quotation text to discover what it refers to!
£10.25
Peter Thompson’s Autumn Sketchbook is the twelfth in a series of piano suites exploring the art of writing for the piano in fairly brief movements. Suite no 12 concentrates mainly on the reflective and colourful aspects of Autumn, rather than the stormy and winter-leaning traits, although one of the movements, Twirling Leaves, encourages a challenging briskness.
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| Composer | Title | Grade | Forces | Total duration | |||
|---|---|---|---|---|---|---|---|
| Peter Thompson | (Play complete work)Suite no 12 ‘Autumn Sketchbook’ for piano | 7 to 8 | Piano | 7 mins | |||
| # | Composer | Movement | Forces | Duration | |||
| 1 | Peter Thompson | I: Watery Autumn | Piano | 1¼ mins | |||
| 2 | II: The Still-day Pools | 1¼ mins | |||||
| 3 | III: Twilight Leaves | 2¼ mins | |||||
| 4 | IV: Twirling Winds | ½ minute | |||||
| 5 | V: The Butter-curled Harvesting | 1¼ mins | |||||
Ennio Caironi, Piano
Catalogue code: FM243 • Published: 28th February 2022
Entry last updated: 19th December 2024