| Blyton’s songs found admirable interpreters in these two musicians; as did those by the other composers represented. | ||
| —Robert Matthew-Walker, Musical Opinion (July–August 2012 p52) |
Click the quotation text to discover what it refers to!
| Blyton’s songs found admirable interpreters in these two musicians; as did those by the other composers represented. | ||
| —Robert Matthew-Walker, Musical Opinion (July–August 2012 p52) |
Click the quotation text to discover what it refers to!
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| Composer | Title | Forces | Total duration | |||
|---|---|---|---|---|---|---|
| Peter Thompson | (Play complete work)Suite no 08 ‘Nameless Days’ for piano | Piano | 22 mins | |||
| # | Composer | Movement | Forces | Duration | ||
| 1 | Peter Thompson | I: The Sleeping Lake | Piano | 3¼ mins | ||
| 2 | II: Rhapsodic Frolic | 4¼ mins | ||||
| 3 | III: At the Collyweston River Bridge | 3½ mins | ||||
| 4 | IV: The Spring | 2¼ mins | ||||
| 5 | V: Maytime | 2¾ mins | ||||
| 6 | VI: Leave Go | 2¼ mins | ||||
| 7 | VII: Romp | 3¾ mins | ||||
Ennio Caironi, Piano
This video is of Philip Mead giving the world première of the second movement of the Suite, Rhapsodic Frolic – which was dedicated to him – at a recital on 6th November 2015. (The entire concert may be viewed online.)
Catalogue code: FM152 • Published: 2007
Entry last updated: 19th December 2024